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Paul Wilhelm
has been playing the piano since age 12. He began lessons at that time and
studied for several years under private teachers. He also studied Music
Theory and Harmony while in college, pursuing other studies. His early
favorites were Chopin and Beethoven. “I enjoyed Chopin immensely, and
later Beethoven, and then Debussy and then Aaron Copland. Then I
discovered Rachmaninoff. He was an absolute genius.” “Music has always
been a great love of mine…a passion. But it was not to be my full-time
occupation.” Still, Paul knew early on that he had a gift for composition.
He wrote his first piece while in high school, a rather lengthy “tone
poem” based on the Biblical account of the betrayal of Jesus by Judas. “It
was a two-movement, classical style composition that attempted to express
the emotions of Judas, actually. The second movement is a mournful dirge
that captures his supposed sense of despair and hopelessness.” |
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Paul
wrote other music in the ensuing years, but in the 80’s his composing
flourished in a major way. He wrote four Biblical musicals for
children, including the script, staging, and most of the songs. “The
first three musicals formed a trilogy on the life of Saul and David as
described in I and II Samuel in the Bible. The fourth was a time
travel fantasy that involved three additional stories from the Old
Testament. I was fortunate to be able to produce, direct, and record
the score for each of these musicals.”
The fourth musical was written in 1987, and then Paul entered a long
period of inactivity in composing. He served as an organist from 1988
to 1992, and continued to play the piano as well. But the best, as
well as greatest life-challenge, were still ahead of him.
As Paul
describes what happened, “…everything changed in the summer of 1993.
That was when my oldest son suffered a fall in the mountains and
sustained a severe head injury. He was totally disabled. Eventually I
made the decision to quit the job I had, and become his full-time
caregiver. That was in ’96, and I am still caring for him today. The
accident changed my life as well as his. In my new lifestyle, I
returned to the piano with renewed interest. In January of ’99 I
composed my first piece in a number of years. I was in love, and I was
inspired.”
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Paul
continued to compose and began to record some of his work. By the fall
of 2000, he was ready to release his first album, "Bridges to Oak
Street". The album is entirely piano solo, and all compositions are
Paul’s originals. Nine of the ten pieces were brand new, and one was
revised from a song he had written for one of the musicals in the
1980’s. “The pieces are about love, hope, and also pain, suffering and
loss. I dedicated the one from the ‘80s ‘The Mighty Are Fallen’ to my
son.”
The album was received with great acclaim, and loved by so many, that
Paul began performing locally, and working on new music. "Bridges To
Oak Street" has sold throughout the U.S. and in several foreign
countries as well since its November, 2000 release.
In November of 2002, Paul came out with his follow-up album,
"Reflections From Higher Ground". In this album he continues to develop
the distinctive style of his first album, and adds additional sounds
and instruments. “I was really pleased with the results of the
Reflections… album and feel that things are developing as time goes
on.” The album has many influences, including Paul’s trip to Mexico in
March of 2002. Some of the photography in the album is from the trip,
and his one piece “Chiapas Morning”, features bird sounds recorded in Chiapas, Mexico. “My style has been called ‘contemporary classical’.
It draws from the classical composers, but also from jazz, folk, and
new age music. And I have a lot of ideas for the future. This whole
thing keeps evolving. It is exciting, really.”
Paul is currently performing weekly or more frequently at local
venues. His goal is to continue to expand his performing, and continue
composing and recording. “I want to do a Christmas album this year,
and I already have a title and several pieces for a third new
compositions album probably in 2004. The floodgates are opening! And I
continue to learn and am influenced my so much music and events in
life. I am glad. I want it to be this way. The future is wide open.” |
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